{"id":10548,"date":"2015-01-06T16:51:03","date_gmt":"2015-01-06T14:51:03","guid":{"rendered":"https:\/\/www.scrigno.com\/projects\/dum-na-pobrezi\/"},"modified":"2024-09-18T16:52:32","modified_gmt":"2024-09-18T14:52:32","slug":"dum-na-pobrezi","status":"publish","type":"scrignocom_project","link":"https:\/\/www.scrigno.com\/cs\/projekty\/dum-na-pobrezi\/","title":{"rendered":"D\u016fm na pob\u0159e\u017e\u00ed"},"content":{"rendered":"

Pozn\u00e1mky:
\nDne\u0161n\u00ed domy maj\u00ed omezen\u00e9 prostory: minim\u00e1ln\u00ed rozm\u011bry pro minim\u00e1ln\u00ed n\u00e1klady.
\nDne\u0161n\u00ed domy nemaj\u00ed p\u0159\u00edli\u0161 vysok\u00e9 stropy a dlouh\u00e9 chodby.
\nDne\u0161n\u00ed domy pot\u0159ebuj\u00ed plynul\u00e9 a flexibiln\u00ed pr\u016fchody.
\nDne\u0161n\u00ed domy nepot\u0159ebuj\u00ed t\u0159pytiv\u00e1 pozl\u00e1tka, fresky, obrazy a koberce, v\u011bci z jin\u00e9 doby: mus\u00ed umo\u017enit plynulost, rychlost a ne\u010dekan\u00e9 \u00faspory.
\nV dne\u0161n\u00edch dom\u00e1cnostech se hromadn\u011b pou\u017e\u00edvaj\u00ed zbyte\u010dn\u00e9 a nevkusn\u00e9 za\u0159izovac\u00ed p\u0159edm\u011bty, jsou roz\u0161\u00ed\u0159en\u00e9 deformovan\u00e9 \u00fatvary a \u00fapravy.<\/p>\n

Ale ve skute\u010dnosti dne\u0161n\u00ed domy pot\u0159ebuj\u00ed b\u00fdt uvnit\u0159 zalit\u00e9 sv\u011btlem, proto\u017ee tam venku sv\u011btlo \u010dasto chyb\u00ed!<\/p>\n

Prvn\u00ed setk\u00e1n\u00ed. \u010cerven 2014<\/strong><\/p>\n

Prvn\u00ed sch\u016fzka-prohl\u00eddka se kon\u00e1 kolem dvan\u00e1ct\u00e9 hodiny za tepl\u00e9ho a slune\u010dn\u00e9ho dne na za\u010d\u00e1tku l\u00e9ta..
\nUsadili jsme se v ob\u00fdvac\u00edm pokoji a pop\u00edjeli k\u00e1vu. Jedn\u00e1 se o d\u016fm 90m2 s terasou o rozloze 40m2. Zat\u00edmco si pov\u00edd\u00e1me, t\u0159icet rozsv\u00edcen\u00fdch halogenov\u00fdch reflektor\u016f zapu\u0161t\u011bn\u00fdch do podhledu m\u00ed\u0159\u00ed na na\u0161e tv\u00e1\u0159e, na na\u0161e slova a na\u0161e t\u011bla, ji\u017e p\u0159eh\u0159\u00e1t\u00e1 hou\u017eevnat\u00fdm \u017e\u00e1rem – je asi dvaat\u0159icet stup\u0148\u016f s velmi vysokou vlhkost\u00ed. \u017d\u00e1d\u00e1m o jejich vypnut\u00ed, ale v polost\u00ednu se je\u0161t\u011b v\u00edce zvy\u0161uje nepohodl\u00ed a nep\u0159\u00edjemn\u00e9 pocity.
\nNeut\u011b\u0161uje m\u011b my\u0161lenka, \u017ee nepohodl\u00ed se v mnoha italsk\u00fdch interi\u00e9rech roz\u0161\u00ed\u0159ilo jako virus, v\u011bt\u0161inou v 70. a 80. letech.
\nTy, kter\u00e9 byly koncipov\u00e1ny s nad\u011bj\u00ed na prostor, av\u0161ak bez architektonick\u00e9 kvality, kter\u00e9 byly postaveny ‚v\u00fdhledov\u011b‘, aby se pak ve vhodnou dobu transformovaly, roz\u0161\u00ed\u0159ily a rozt\u00e1hly sm\u011brem ven, jak jen to jde. P\u0159em\u00fd\u0161l\u00edm o t\u00e9to italsk\u00e9 ledabylosti a o tomto typu budov, podl\u00e9haj\u00edc\u00edch podobn\u00fdm \u00faprav\u00e1m a obnov\u00e1m ze strany st\u00e1tu. Stejn\u00e9 z\u00e1kony, kter\u00e9 otev\u00edraj\u00ed mo\u017enosti si ob\u010das sou\u010dasn\u011b proti\u0159e\u010d\u00ed:
\nd\u016fle\u017eit\u00e9 je obsadit, vygenerovat velk\u00e9 prostory co do metr\u016f \u010dtvere\u010dn\u00edch – i kdy\u017e jsou prostory nevyhovuj\u00edc\u00ed a deformovan\u00e9 – a co na tom, \u017ee jsou tmav\u00e9?<\/p>\n

\u201c \u017divot, p\u00ed\u0161e Georges Perec, je p\u0159esouvat se z jednoho prostoru do druh\u00e9ho a sna\u017eit se neubl\u00ed\u017eit si, jak jen to jde\u201c.<\/em><\/p>\n

P\u0159em\u00fd\u0161len\u00ed o slovu: Prostorn\u00fd<\/strong>
\nJe to hlubok\u00fd n\u00e1dech, okysli\u010d\u00ed pl\u00edce a regeneruje mysl.
\nBez pevn\u00fdch, nesmysln\u00fdch vazeb, postaven\u00fd tak, aby uzav\u0159el do klece ji\u017e p\u0159edem nalinkovan\u00e9 \u017eivoty. Prostor je ve sv\u011btle, kter\u00e9 se ztr\u00e1c\u00ed uvnit\u0159 hmoty a v jej\u00edch detailech.
\nProstor je otev\u0159en\u00fd dialog o ne\u010dekan\u00e9m, nebo v kr\u00e1sn\u00e9m p\u0159\u00edb\u011bhu, vyvolan\u00e9m obrazem, je ve vzduchu, v dechu mezi v\u011bcmi domu.
\nA dech mezi v\u011bcmi je sv\u011btlo.
\nProstorn\u00fd: nem\u011b\u0159\u00ed se na metr \u010dtvere\u010dn\u00ed!<\/p>\n

Geneze:<\/strong>
\nZ t\u011bchto \u00favah vych\u00e1z\u00ed moje pr\u00e1ce v Dom\u011b na pob\u0159e\u017e\u00ed, le\u017e\u00edc\u00edho severn\u011b od \u0158\u00edma a ob\u00fdvan\u00e9ho mlad\u00fdm p\u00e1rem a jejich malou hol\u010di\u010dkou.
\nPrioritn\u00edm po\u017eadavkem je racionalizovat prostory, prosv\u011btlit je a zbavit nadstaveb, aby se zes\u00edlil p\u0159\u00edvod p\u0159irozen\u00e9ho sv\u011btla \u2013 ale p\u0159edev\u0161\u00edm d\u00e1t v\u00fdznam slovu \u201eprostorn\u00fd\u201c t\u00edm, \u017ee jej ukotv\u00edme k poezii hmoty a sv\u011btla.<\/p>\n

Tohle je jin\u00fd d\u016fm.<\/strong>
\nV\u017edy jsem za\u010d\u00ednal pr\u00e1ci \u201enac\u00edt\u011bn\u00edm\u201c m\u011bsta, \u010dtvrti; zde jsme v\u0161ak konfrontov\u00e1n\u00ed s m\u011bstskou stratifikac\u00ed bez identity a historie, mnohdy spadaj\u00edc\u00ed do obdob\u00ed velk\u00fdch stavebn\u011b-urbanistick\u00fdch spekulac\u00ed, kter\u00e9 charakterizovaly 60.\u201370. l\u00e9ta.
\nZam\u011b\u0159il jsem se na p\u0159epracov\u00e1n\u00ed i kdy\u017e ob\u010das pon\u011bkud v\u00fdrazn\u00e9, kde je t\u00e9ma barvy a rozpt\u00fdlen\u00e9ho materi\u00e1lov\u00e9ho fragmentu pou\u017eito k napln\u011bn\u00ed pot\u0159eby prostoru a sv\u011btla.
\nPou\u017eit\u00ed mramorov\u00e9ho obkladu \u201eCalacatta zlat\u00e1\u201c, spojovac\u00edho materi\u00e1lu, ve v\u0161ech prostorech \u2013 a meziprostorech \u2013 jim vr\u00e1tilo tlou\u0161\u0165ku, ozdobilo je a zv\u00fdraznilo. K tomuto doch\u00e1z\u00ed v j\u00eddeln\u00edm kout\u011b, kde se d\u011blen\u00e9 oblo\u017een\u00ed st\u011bn st\u0159\u00edd\u00e1 se zlat\u00fdmi vlo\u017ekami, nebo na \u010dtvercov\u00fdch soklov\u00fdch li\u0161t\u00e1ch pod\u00e9l chodeb, na svisl\u00fdch praz\u00edch, kter\u00e9 ozna\u010duj\u00ed p\u0159echody, nebo na velk\u00fdch kv\u00e1drech, kter\u00fdmi jsou oblo\u017eeny koupelny.
\nV tomto interi\u00e9ru \u010dlov\u011bk cestuje neb\u00fdvale prom\u011bnlivou krajinou, kterou neovl\u00e1daj\u00ed p\u0159edm\u011bty, ale samotn\u00fd prostor.<\/p>\n

Vstupn\u00ed prostor, p\u0159edstavuj\u00edc\u00ed jako v\u017edy obs\u00e1hl\u00e9 t\u00e9ma, je tvo\u0159en mramorov\u00fdm obkladem.
\nSvisl\u00fd v\u00fdklenek obsahuje police s odstup\u0148ovan\u00fdmi otvory:
\nve spodn\u00ed \u010d\u00e1sti na de\u0161tn\u00edky, naho\u0159e na v\u011bci denn\u00ed pot\u0159eby (\u0161\u00e1tek, nebo \u0161\u00e1la).
\nZ odpadu, vznikl\u00e9ho ze zpracov\u00e1n\u00ed otvor\u016f jsou vyhotoveny rukojeti velk\u00fdch dve\u0159\u00ed, nebo v\u011b\u0161\u00e1ky.
\nHorizont\u00e1ln\u00ed vymezen\u00ed domu je v dubov\u00e9mu d\u0159ev\u011b s designov\u00fdmi lamelami r\u016fzn\u00fdch d\u00e9lek, dv\u011bma r\u016fzn\u011b velk\u00fdmi prysky\u0159i\u010dn\u00fdmi koberci a mramorov\u00fdmi vlo\u017ekami;
\nJe to p\u0159estaviteln\u00fd interi\u00e9r, navr\u017een\u00fd jako plynul\u00fd prostor, prostor v pohybu.
\nNab\u00edz\u00ed alternativn\u00ed cesty vymezen\u00e9 v\u00fdrazn\u00fdmi znaky v podob\u011b dvou \u017elut\u00fdch koberc\u016f, odr\u00e1\u017eej\u00edc\u00ed vesel\u00ed a sv\u011btlo: simuluj\u00ed p\u0159echody zd\u00ed, a \u0161ij\u00edc\u00ed ze stejn\u00e9 l\u00e1tky, prost\u0159ed\u00ed jako z\u00e1platy, p\u0159i\u010dem\u017e je p\u0159iv\u00e1d\u011bj\u00ed k \u010dlov\u011bku a jeho pohybu:
\ntranzitn\u00ed p\u0159echody jsou velmi d\u016fle\u017eit\u00e9, v\u00edtaj\u00ed dynamiku tohoto mal\u00e9ho j\u00e1dra v neust\u00e1l\u00e9m v\u00fdvoji<\/strong><\/p>\n

Vertik\u00e1ln\u00ed vymezen\u00ed je zd\u016frazn\u011bno soklov\u00fdmi li\u0161tami na b\u00edl\u00fdch st\u011bn\u00e1ch.
\nZna\u010dky na st\u011bn\u00e1ch jsou ve skute\u010dnosti primitivn\u00edmi znaky, a proto jsou r\u016fznorod\u00e9 co do formy, materi\u00e1lu, barvy a velikosti, nasti\u0148uj\u00ed v prostor\u00e1ch domu stejn\u011b slo\u017een\u00e9 vize (mramorov\u00e1, nebo v\u00edcevrstv\u00e1 n\u00e1mo\u0159n\u00ed \u0161ed\u00e1 na st\u011bn\u00e1ch a zelen\u00e1 na koberc\u00edch).
\nV\u0161echno jsou to designov\u011b unik\u00e1tn\u00edmi kusy se \u0161ikm\u00fdmi \u0159ezy po stran\u00e1ch (75 a 45 stup\u0148\u016f), navr\u017een\u00fdmi tak, aby obnovily trojrozm\u011brnost hmoty, kter\u00e1 zde nespo\u010d\u00edv\u00e1 na st\u011bn\u00e1ch, ale zd\u00e1 se, \u017ee z nich vyv\u011br\u00e1 a nyn\u00ed umoc\u0148uje perspektivu, klou\u017ee po p\u0159echodech a r\u00e1muje je.
\nV obou koupeln\u00e1ch jsou velk\u00e9 desky pou\u017eity jako podl\u00e1\u017eka sprchov\u00e9ho koutu, nebo obklad sanit\u00e1rn\u00edho za\u0159\u00edzen\u00ed.
\nPokud oto\u010d\u00edte pohled nahoru, \u010dern\u00fd elektrick\u00fd dr\u00e1t podtrhuje pohyb a doprov\u00e1z\u00ed pohled, r\u00e1muje prostory, dokud se nestanou sv\u011btlem.<\/p>\n

Chodba (dvojit\u00e1) vytvo\u0159en\u00e1 z \u0161atny vede rovn\u011b\u017e do hlavn\u00ed lo\u017enice.
\nPoj\u00edzdn\u00fd kontejner je navr\u017een jako objekt, kter\u00fd vytv\u00e1\u0159\u00ed v\u0161estrann\u00fd fluidn\u00ed prostor pro um\u00edst\u011bn\u00ed velk\u00e9ho \u00falo\u017en\u00e9ho kontejneru, ale z\u00e1rove\u0148 v p\u0159\u00edpad\u011b pot\u0159eby pln\u00ed funkci u\u017eite\u010dn\u00e9ho prostoru, nebo \u0161atn\u00ed sk\u0159\u00edn\u011b pro hosty.
\nHra otev\u00edr\u00e1n\u00ed obou dve\u0159\u00ed je siln\u00fdm bodem projektu:
\nje to clona, kter\u00e1 v r\u016fzn\u00fdch konformac\u00edch vymezuje obvod cest mezi ve\u0159ejn\u00fdm a soukrom\u00fdm prostorem, uzav\u00edr\u00e1n\u00ed a otev\u00edr\u00e1n\u00ed dve\u0159\u00ed odr\u00e1\u017e\u00ed v zrcadle prostory, v\u011bci a lid\u00ed.
\nTam jsem tedy zasadil prim\u00e1rn\u00ed koncepty, na kter\u00fdch jsem zalo\u017eil cel\u00fd projekt:
\node\u010d\u00edt\u00e1n\u00ed, zes\u00edlen\u00ed, rozklad a stratifikace.<\/p>\n","protected":false},"featured_media":2809,"template":"","class_list":["post-10548","scrignocom_project","type-scrignocom_project","status-publish","has-post-thumbnail","hentry"],"acf":{"project_description":"","project_date":"2015","project_where":"\u0158\u00edm","project_featured_image":"https:\/\/www.scrigno.com\/wp-content\/uploads\/2024\/07\/001_01_Casa.jpg","project_gallery":[{"ID":2813,"id":2813,"title":"001_Casa-sul.jpg","filename":"001_Casa-sul.jpg","filesize":130837,"url":"https:\/\/www.scrigno.com\/wp-content\/uploads\/2024\/07\/001_Casa-sul.jpg","link":"https:\/\/www.scrigno.com\/cs\/001_casa-sul-jpg-2\/","alt":"","author":"1","description":"","caption":"","name":"001_casa-sul-jpg-2","status":"inherit","uploaded_to":0,"date":"2024-07-29 09:15:24","modified":"2024-07-29 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16:47:45","post_date_gmt":"2024-09-18 14:47:45","post_content":"Nicola Auciello zalo\u017eil studio na3-architecture v roce 2003 a zakl\u00e1d\u00e1 sv\u00e9 projekty kter\u00fdm je ciz\u00ed jak\u00e1koli neu\u017eite\u010dn\u00e1 do\u010dasn\u00e1 virtuozita, na poeticko-emocion\u00e1ln\u00ed cest\u011b, .\n\nRozsah \u010dinnosti sah\u00e1 od v\u00fdzkumu a\u017e po design ve ve\u0159ejn\u00e9, bytov\u00e9 a interi\u00e9rov\u00e9 \u200b\u200barchitektu\u0159e, v pr\u016fmyslov\u00e9m designu a v\u00fdstavn\u00edm designu, v p\u0159\u00edpad\u011b pot\u0159eby s vyu\u017eit\u00edm konsolidovan\u00e9 s\u00edt\u011b odborn\u00fdch poradensk\u00fdch spole\u010dnost\u00ed. Mezi ned\u00e1vn\u00e9 pr\u00e1ce pat\u0159\u00ed charitativn\u00ed st\u0159edisko Centro Caritas pro Senza Fissa Dimora v Ladispoli (\u0158\u00edm), navr\u017een\u00e9 spole\u010dn\u011b s Beniaminem Servinem. V roce 2010, st\u00e1le v Ladispoli, navrhl multifunk\u010dn\u00ed sportovn\u00ed centrum pro um\u011bleckou gymnastiku. V roce 2008 p\u0159estavba n\u011bkter\u00fdch agentur Unicredit Banca v Lazio ve skupin\u011b Gruppo Capitalia. V \u0158\u00edm\u011b se v roce 2001 pod\u00edlel na projektu restrukturalizace a obnovy Muzea \u0159\u00edmsk\u00e9 civilizace jm\u00e9nem Fiat Engineering (dnes Maire Engineering) s Martou Laudani, Marco Romanelli a Massimo Noceto.\n\nPr\u00e1ce studia na3 z\u00edskaly ceny a uzn\u00e1n\u00ed a byly publikov\u00e1ny v italsk\u00fdch a mezin\u00e1rodn\u00edch publikac\u00edch a \u010dasopisech a byly tak\u00e9 vystaveny na konferenc\u00edch a v\u00fdstav\u00e1ch, mezi nejv\u00fdznamn\u011bj\u0161\u00ed pat\u0159\u00ed nap\u0159\u00edklad: MAXXI \u0158\u00edm, Mil\u00e1nsk\u00e9 trien\u00e1le, Complesso del Vittoriano \u0158\u00edm, Casa dell'Architettura \u0158\u00edm, MRSN Museum Torino, N\u00e1rodn\u00ed muzeum v\u011bdy a techniky Mil\u00e1n, Palazzo Valmarana Braga Vicenza, \u0160anghajsk\u00e9 bien\u00e1le architektury, Festival architektury Terni, Visions Beyond Media Firenze, Trien\u00e1le architektury Sofie, Finsk\u00fd pavilon v Seville, salon n\u00e1bytku Salone del Mobile Milan, MiArt Mil\u00e1n, BuildUp Mil\u00e1n. V roce 2010 byl ateli\u00e9r nominov\u00e1n na region\u00e1ln\u00ed cenu InArch za sou\u010dasnou architekturu RomArchitettura4 v kategorii \u201erealizace vytvo\u0159en\u00e1, navr\u017een\u00e1 mlad\u00fdm projektantem\u201c. Ve stejn\u00e9m roce z\u00edskal cenu za design reziden\u010dn\u00edch prostor\u016f na IAI Architecture Biennale v \u0160anghaji (\u010c\u00edna).\n\nV roce 2013 byl navr\u017een na cenu \u2018Keramika a projekt\u2019 Confindustria Ceramica, na MAXXI v \u0158\u00edm\u011b. Nicola kombinuje design\u00e9rskou \u010dinnost s v\u00fdukou designu na IED a historicko-kritick\u00fd v\u00fdzkum s publikov\u00e1n\u00edm esej\u016f o architektu\u0159e a designu.","post_title":"Nicola Auciello","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"nicola-auciello-4","to_ping":"","pinged":"","post_modified":"2024-09-18 16:47:45","post_modified_gmt":"2024-09-18 14:47:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.scrigno.com\/architects\/nicola-auciello-4\/","menu_order":0,"post_type":"scrignocom_architect","post_mime_type":"","comment_count":"0","filter":"raw"},"project_architect_name":"Nicola Auciello"},"yoast_head":"\nD\u016fm na pob\u0159e\u017e\u00ed - Scrigno<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.scrigno.com\/cs\/projekty\/dum-na-pobrezi\/\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"D\u016fm na pob\u0159e\u017e\u00ed - Scrigno\" \/>\n<meta property=\"og:description\" content=\"Pozn\u00e1mky: Dne\u0161n\u00ed domy maj\u00ed omezen\u00e9 prostory: minim\u00e1ln\u00ed rozm\u011bry pro minim\u00e1ln\u00ed n\u00e1klady. 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