{"id":10512,"date":"2015-01-06T16:51:03","date_gmt":"2015-01-06T14:51:03","guid":{"rendered":"https:\/\/www.scrigno.com\/projects\/maison-sur-le-littoral\/"},"modified":"2024-09-18T16:51:59","modified_gmt":"2024-09-18T14:51:59","slug":"maison-sur-le-littoral","status":"publish","type":"scrignocom_project","link":"https:\/\/www.scrigno.com\/fr\/projets\/maison-sur-le-littoral\/","title":{"rendered":"Maison sur le littoral"},"content":{"rendered":"

Annotations : .
\nLes habitations d\u2019aujourd\u2019hui disposent d\u2019espaces r\u00e9duits : des encombrements minimums pour des frais minimums.
\nLes habitations d\u2019aujourd\u2019hui n\u2019ont pas de plafonds tr\u00e8s hauts et de longs couloirs.
\nLes habitations d\u2019aujourd\u2019hui ont besoin de passages fluides et flexibles.
\nParfois, les habitations d\u2019aujourd\u2019hui rejettent les fioritures, les fresques, les tableaux et les tapis, des choses d\u2019autres temps : elles doivent garantir la fluidit\u00e9, la rapidit\u00e9 et des \u00e9conomies inattendues.
\nDans les habitations d\u2019aujourd\u2019hui des appendices ill\u00e9gales se d\u00e9veloppent et engendrent des organismes d\u00e9form\u00e9s et dilat\u00e9s et de dangereuses excroissances l\u00e9galis\u00e9es.<\/p>\n

Mais en r\u00e9alit\u00e9, les habitations d\u2019aujourd\u2019hui ont besoin d\u2019\u00eatre imbib\u00e9es par la lumi\u00e8re car en dehors il n\u2019y en a souvent pas !<\/p>\n

Premi\u00e8re rencontre. Juin 2014<\/strong><\/p>\n

La premi\u00e8re rencontre-inspection a eu lieu \u00e0 douze heures d\u2019une chaude et ensoleill\u00e9e journ\u00e9e de d\u00e9but de l\u2019\u00e9t\u00e9.
\nNous nous sommes assis dans la salle de s\u00e9jour pour boire un caf\u00e9. C\u2019est une maison de 90 m\u00e8tres carr\u00e9s dont 40 de terrasse. Tandis que nous parlons, trente spots halog\u00e8nes allum\u00e9s encastr\u00e9s dans le plafond sont riv\u00e9s sur nos visages, nos mots et nos corps d\u00e9j\u00e0 surchauff\u00e9s par une chaleur \u00e9touffante – environ trente-deux degr\u00e9s avec un taux d\u2019humidit\u00e9 tr\u00e8s haut. Je demande d\u2019\u00e9teindre les spots, mais la p\u00e9nombre nous atteigne et augmente le g\u00eane, l\u2019inconfort.
\nL\u2019id\u00e9e que l\u2019inconfort s\u2019est diffus\u00e9 comme un virus dans beaucoup des environnements italiens des ann\u00e9es \u201870 et \u201880 n\u2019aide pas.
\nCeux con\u00e7us dans le but d\u2019avoir un cubage accru et sans qualit\u00e9 architectonique, ceux construits \u00ab en vue de… \u00bb pour \u00eatre ensuite transform\u00e9s, agrandis, dilat\u00e9s \u00e0 l\u2019ext\u00e9rieur le plus possible au bon moment. Je r\u00e9fl\u00e9chis sur ce mauvais go\u00fbt italien et sur ce type d\u2019\u00e9difices, succubes de ces transformations et r\u00e9gularisations de l\u2019\u00c9tat. Les m\u00eames lois qui d\u00e9lirent et qui, quelques fois, l\u00e9gif\u00e8rent des contradictions.
\nCe qui est important c\u2019est occuper, cr\u00e9er des lieux de grandes dimensions, m\u00eame si d\u00e9form\u00e9s, et peu importe s\u2019ils sont sombres.<\/p>\n

\u00ab Vivre, \u00e9crit Georges Perec, c\u2019est passer d\u2019un espace \u00e0 un autre en essayant le plus possible de ne pas se cogner. \u00bb<\/em><\/p>\n

R\u00e9flexions sur le mot : Ample<\/strong>
\nC\u2019est un souffle profond, qui oxyg\u00e8ne les poumons et r\u00e9g\u00e9n\u00e8re l\u2019esprit.
\nD\u00e9pouille des mailles rigides, insens\u00e9es, construites pour enfermer des vies pr\u00e9emball\u00e9es. L\u2019ampleur r\u00e9side dans la lumi\u00e8re qui se fond avec la mati\u00e8re et dans ses d\u00e9tails.
\nL\u2019ampleur est un dialogue ouvert sur l\u2019impr\u00e9vu ou r\u00e9side dans un beau r\u00e9cit inspir\u00e9 par une image, dans l\u2019air, dans le souffle parmi les choses d\u2019une maison.
\nC\u2019est le souffle parmi les choses, c\u2019est la lumi\u00e8re.
\nAmple : ce n\u2019est pas une mesure en m\u00e8tres carr\u00e9s !<\/p>\n

Gen\u00e8se :<\/strong>
\nMon travail dans la maison sur le littoral au nord de Rome appartenant \u00e0 un jeune couple et leur petite fille a commenc\u00e9 \u00e0 partir de ces consid\u00e9rations.
\nLa demande principale \u00e9tait de rationaliser les espaces, en les lib\u00e9rant de l\u2019obscurit\u00e9 et des superstructures pour amplifier le reflet de la lumi\u00e8re naturelle, mais surtout en redonnant un sens au mot \u00ab ample \u00bb en l\u2019ancrant \u00e0 la po\u00e9sie de la mati\u00e8re et de la lumi\u00e8re.<\/p>\n

C\u2019est une maison diff\u00e9rente des autres.<\/strong>
\nJ\u2019ai toujours travaill\u00e9 en partant d\u2019une lecture de la ville, du quartier : ici nous avons toutefois une grande stratification urbaine, sans identit\u00e9 ni histoire, sauf la conscience d\u2019appartenir \u00e0 une p\u00e9riode de grande sp\u00e9culation immobili\u00e8re-urbaine, qui a caract\u00e9ris\u00e9 les ann\u00e9es \u201860-\u201970.
\nJe me suis concentr\u00e9 sur une superstructure, parfois exasp\u00e9r\u00e9e, o\u00f9 le th\u00e8me de la couleur et des fragments de mati\u00e8re parsem\u00e9s est utilis\u00e9 pour r\u00e9pondre \u00e0 l\u2019exigence d\u2019espace et lumi\u00e8re.
\nL\u2019emploi du marbre \u00ab Calacatta or \u00bb, mat\u00e9riau de raccordement dans tous les espaces et interstices leur a redonn\u00e9 une certaine \u00e9paisseur, les a enrichis, mis en valeur. Cela a \u00e9t\u00e9 r\u00e9alis\u00e9 dans le coin repas avec la boiserie murale d\u00e9compos\u00e9e altern\u00e9e \u00e0 des inserts dor\u00e9s ou sur les cadres-plinthes le long des parcours, sur les seuils verticaux qui marquent les points de passage ou sur les grands cadres qui rev\u00eatent les salles de bain.
\nDans cet int\u00e9rieur on circule \u00e0 travers des passages changeants in\u00e9dites, non ma\u00eetris\u00e9s par les objets mais par l\u2019espace m\u00eame.<\/p>\n

Le seuil d\u2019entr\u00e9e, qui comme toujours est un th\u00e8me d\u2019approfondissement, est caract\u00e9ris\u00e9 par un tapis en marbre.
\nEn vertical, une niche contient les plans d\u2019appui avec des compartiments d\u00e9cal\u00e9s :
\nEn bas les parapluies, en haut les objets d\u2019usage quotidien (un foulard ou une \u00e9charpe).
\nLes d\u00e9chets de fabrication des compartiments deviennent des poign\u00e9es pour les grandes portes ou des boutons portemanteau.
\nLa d\u00e9finition horizontale de la maison est confi\u00e9e au bois de ch\u00eane avec des lattes de longueurs diff\u00e9rentes, deux tapis en r\u00e9sine de grandeur diff\u00e9rente et des inserts en marbre ;
\nC\u2019est un int\u00e9rieur transformable et pens\u00e9 comme un espace fluide, en mouvement.
\nIl offre des parcours alternatifs d\u00e9limit\u00e9s par deux tapis jaunes, qui refl\u00e8tent la joie et la lumi\u00e8re : ils simulent le franchissement des cloisons en recousant sur le tissu existant les pi\u00e8ces comme si elles \u00e9taient des raccommodages pour les reporter \u00e0 l\u2019homme et \u00e0 son mouvement.
\nLes passages sont tr\u00e8s importants, accueillent le dynamisme de ce petit noyau en constante \u00e9volution<\/strong><\/p>\n

La d\u00e9finition verticale est soulign\u00e9e par les cadre-plinthes sur les cloisons blanches.
\nLes signes sur les cloisons sont en r\u00e9alit\u00e9 des signes primitifs et h\u00e9t\u00e9rog\u00e8nes dans la forme, la mati\u00e8re, la couleur, les dimensions et dessinent dans les espaces de cette maison des visions aussi composites (marbre ou multi-couche marin gris sur les cloisons et vert sur les tapis).
\nCe sont toutes des pi\u00e8ces uniques, r\u00e9alis\u00e9es sur dessin, avec des coupes inclin\u00e9es des c\u00f4t\u00e9s (\u00e0 75 et 45 degr\u00e9s), pens\u00e9es pour redonner tridimensionnalit\u00e9 \u00e0 la mati\u00e8re qui ne s\u2019appuie pas sur les cloisons mais au contraire semble jaillir d\u2019elles tout en amplifiant la perspective ou en glissant sur les passages pour les encadrer.
\nDans les deux salles de bains, les grandes dalles deviennent le fond de la douche et le rev\u00eatement des appareils sanitaires.
\nEn tournant le regard vers le haut, un fil \u00e9lectrique noir en souligne le mouvement et accompagne le regard, tout en contournant les espaces jusqu\u2019\u00e0 devenir lumi\u00e8re.<\/p>\n

Le couloir (double) cr\u00e9\u00e9 par le dressing conduit, lui aussi, \u00e0 la chambre \u00e0 coucher principale.
\nLe meuble conteneur a \u00e9t\u00e9 pens\u00e9 comme g\u00e9n\u00e9rateur d\u2019un espace fluide et polyvalent pour accueillir un grand conteneur, mais en m\u00eame temps \u00eatre un espace utile ou un garde-robe pour les h\u00f4tes au besoin.
\nLe jeu d\u2019ouverture des deux portes est un atout du projet :
\nc\u2019est un diaphragme qui dans les diff\u00e9rentes conformations d\u00e9finit le p\u00e9rim\u00e8tre des parcours, entre l\u2019espace public et priv\u00e9, en fermant et en ouvrant les vantaux refl\u00e8te sur le miroir l\u2019espace, les choses et les personnes.
\nDe cette mani\u00e8re j\u2019ai renforc\u00e9 les concepts principaux sur lequel tout le projet s\u2019est bas\u00e9 :
\nSoustraction, amplification, d\u00e9composition et stratification.<\/p>\n","protected":false},"featured_media":2811,"template":"","class_list":["post-10512","scrignocom_project","type-scrignocom_project","status-publish","has-post-thumbnail","hentry"],"acf":{"project_description":"","project_date":"2015","project_where":"Rome","project_featured_image":"https:\/\/www.scrigno.com\/wp-content\/uploads\/2024\/07\/001_01_Casa.jpg","project_gallery":[{"ID":2815,"id":2815,"title":"001_Casa-sul.jpg","filename":"001_Casa-sul.jpg","filesize":130837,"url":"https:\/\/www.scrigno.com\/wp-content\/uploads\/2024\/07\/001_Casa-sul.jpg","link":"https:\/\/www.scrigno.com\/fr\/?attachment_id=2815","alt":"","author":"1","description":"","caption":"","name":"001_casa-sul-jpg-2","status":"inherit","uploaded_to":19054,"date":"2024-07-29 09:15:24","modified":"2025-12-23 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16:47:31","post_date_gmt":"2024-09-18 14:47:31","post_content":"Nicola Auciello fonde en 2003 na3-studio di Architettura en basant les projets sur un parcours po\u00e9tique et \u00e9motionnel, loin de toute virtuosit\u00e9 temporaire inutile.\n\nLe champ d\u2019intervention s\u2019\u00e9tend de la recherche \u00e0 la conception dans les domaines de l\u2019architecture publique, r\u00e9sidentielle et int\u00e9rieure, du design industriel et des expositions, en recourant si n\u00e9cessaire \u00e0 un r\u00e9seau consolid\u00e9 de cabinets de conseil sp\u00e9cialis\u00e9s. Parmi ses travaux r\u00e9cents, le Centre Caritas pour les sans domicile fixe \u00e0 Ladispoli (Rome), con\u00e7u avec Beniamino Servino. En 2010, toujours \u00e0 Ladispoli, il a con\u00e7u le Centre sportif polyvalent de gymnastique artistique. En 2008, il a effectu\u00e9 le r\u00e9am\u00e9nagement de plusieurs agences de la banque Unicredit dans le Latium, du groupe Capitalia. \u00c0 Rome, en 2001, il a particip\u00e9 au projet de r\u00e9novation et de r\u00e9am\u00e9nagement du mus\u00e9e de la Civilisation romaine pour le compte de Fiat Engineering (aujourd\u2019hui Maire Engineering) avec Marta Laudani, Marco Romanelli et Massimo Noceto.\n\nLes travaux de Studio na3 ont remport\u00e9 des prix et des r\u00e9compenses, ont \u00e9t\u00e9 publi\u00e9s dans des livres et des revues italiennes et internationales et ont \u00e9t\u00e9 expos\u00e9s lors de conf\u00e9rences et d\u2019expositions, notamment : MAXXI Rome, Triennale Milan, Complexe du Vittoriano \u00e0 Rome, Maison de l\u2019Architecture Rome, Mus\u00e9e MRSN Turin, Mus\u00e9e national de la Science et de la Technologie Milan, Palais Valmarana Braga Vicence, Biennale d\u2019architecture Shanghai, Festival de l\u2019architecture Terni, Visions Beyond Media Florence, Triennale d\u2019architecture Sofia, Pavillon de la Finlande S\u00e9ville, Salon du Meuble Milan, MiArt Milan, BuildUp Milan. En 2010, le cabinet est signal\u00e9 au Prix r\u00e9gional InArch d\u2019architecture contemporaine RomArchitettura4 dans la cat\u00e9gorie \u00ab intervention r\u00e9alis\u00e9e, con\u00e7ue par un jeune concepteur \u00bb. Au cours de la m\u00eame ann\u00e9e, il remporte le Prix Residential Space Design Excellence \u00e0 la Biennale d\u2019architecture IAI de Shanghai (Chine).\n\nEn 2013, il est mentionn\u00e9 au Prix \u00ab La Ceramica e il Progetto \u00bb Confindustria Ceramica, au MAXXI de Rome. Nicola combine son travail de conception avec l\u2019enseignement du design \u00e0 l\u2019IED et la recherche historique et critique avec la publication d\u2019essais sur l\u2019architecture et le design.","post_title":"Nicola Auciello","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"nicola-auciello-2","to_ping":"","pinged":"","post_modified":"2024-09-18 16:47:31","post_modified_gmt":"2024-09-18 14:47:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.scrigno.com\/architects\/nicola-auciello-2\/","menu_order":0,"post_type":"scrignocom_architect","post_mime_type":"","comment_count":"0","filter":"raw"},"project_architect_name":"Nicola Auciello"},"yoast_head":"\nMaison sur le littoral - Scrigno<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.scrigno.com\/fr\/projets\/maison-sur-le-littoral\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maison sur le littoral - Scrigno\" \/>\n<meta property=\"og:description\" content=\"Annotations : . 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